Never one to conform, Anna always had trouble fitting in. Earnest and willful, as a young girl she quickly learned how to hide her quirks from her parents and friends. But when, at sixteen, a sudden melancholia takes hold of her life, she loses her sense of self and purpose. Then the Goldschmidts move in next door. They're active members of a religious cult, and Anna is awestruck by both their son Lars and their fervent violent prophecies for the Tribulation at the End of Days. Within months, Anna's life--her family, her home, her very identity--will undergo profound changes.
"In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. "George Orwell Was a Friend of Mine" follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. "Nirvana," portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In "Hurricanes Anonymous" a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind.
The affluent Al-Menshawy family find their American dream shattered when a devastating turn of events leaves their eldest son and their neighbor's daughter dead, and, becoming pariahs in their upscale New Jersey community, they struggle to keep their family together.
She sees the teenage girl on the train platform, standing in the pouring rain, clutching an infant in her arms. She boards a train and is whisked away. But she can't get the girl out of her head... Heidi Wood has always been a charitable woman: she works for a nonprofit, takes in stray cats. Still, her husband and daughter are horrified when Heidi returns home one day with a young woman named Willow and her four-month-old baby in tow. Disheveled and apparently homeless, this girl could be a criminal--or worse. But despite her family's objections, Heidi invites Willow and the baby to take refuge in their home. Heidi spends the next few days helping Willow get back on her feet, but as clues into Willow's past begin to surface, Heidi is forced to decide how far she's willing to go to help a stranger. What starts as an act of kindness quickly spirals into a story far more twisted than anyone could have anticipated. Don't miss this thrilling follow-up to The Good Girl.
Something really strange is happening in the City by the Bay. People are dying, but their souls are not being collected. Someone, or something, is stealing them and no one knows where they are going, or why, but it has something to do with that big orange bridge. Death Merchant Charlie Asher is just as flummoxed as everyone else. He's trapped in the body of a fouteen-inch-tall "meat puppet" waiting for his Buddhist nun girlfriend, Audrey, to find him a suitable new body to play host.
As a newly-minted Dominion family heiress, Mink has new golden moves to snag even more of the family fortune. Trouble is, her hidden love games with seductive uncle-by-marriage-only Suge have them at bad-news odds -- and more than her heart is in dirty sexy trouble. When the family patriarch is shot, Mink is up against a crossfire of old Dominion rivals, blackmailers, and elegant scammers out to take them down for good. What she needs is a surprise ally--her identical twin Dy-Nasty. But her scheming sibling's conniving threatens to end Mink's moneyed ride and ace her into lockdown. With disaster only one lie away, Mink has to flip the script on enemies she never saw coming -- and turn her diamond-honed hustle into the supreme weapon. . .
Bridesmaids meets The In-Laws in a novel told from the alternating perspectives of two women who define the term frenemies. From New York Times bestselling author Jen Lancaster. Jacqueline Jordan knows conflict. A fearless journalist, she's spent the past decade embedded in the world's hot spots, writing about the fall of nations and the rise of despots. But if you were to inquire about who topped Jack's enemy list, she'd not hesitate to answer: Kitty Carricoe. Kitty reigns supreme over the world of carpools and minivans. A SAHM, she spends her days caring for her dentist husband and three towheaded children, running the PTA, and hiding vegetables in deceptively delicious packed lunches. Kitty and Jack haven't a single thing in common except for Sarabeth Chandler, their mutual bestie. Sarabeth and Jack can be tomboys with the best of them, while Sarabeth can get her girly-girl on with Kitty. In fact, the three of them were college friends until the notorious frat party incident, when Jack accidentally hooked up with Kitty's boyfriend. Yet both women drop everything and rush to Sarabeth's side when they get the call that her fabulously wealthy husband has perished in a suspicious boating accident. To solve the mystery surrounding his death, Jack and Kitty must bury the hatchet and hit the road for a trip that just may bring them together if it doesn't kill them first.
In the spellbinding new novel from #1 New York Times bestselling author Robert Goolrick, 1980s Manhattan shimmers like the mirage it was, as money, power, and invincibility seduce a group of young Wall Street turks. Together they reach the pinnacle, achieving the kind of wealth that grants them access to anything--and anyone--they want. Until, one by one, they fall. With the literary chops of Bonfire of the Vanities and the dizzying decadence of The Wolf of Wall Street, The Fall of Princes takes readers into a world of hedonistic highs and devastating lows, weaving a visceral tale about the lives of these young men, winners all . . . until someone changes the rules of the game. Goolrick paints a magnificently authentic portrait of an era, tense and stylish, perfectly mixing adrenaline and melancholy. Stunning in its acute observations about great wealth and its absence, and deeply moving in its depiction of the ways in which these men learn to cope with both extremes, the novel travels from New York to Paris to Los Angeles to Italy to Las Vegas to London, on a journey that is as startling as it is starkly revealing, a true tour de force.
Twenty-five year old Ivy Rowan rises from her bed after being struck by the flu, only to discover the world has been torn apart in just a few short days. But Ivy's life-long gift--or curse--remains. For she sees the uninvited ones--ghosts of loved ones who appear to her, unasked, unwelcomed, for they always herald impending death. On that October evening in 1918 she sees the spirit of her grandmother, rocking in her mother's chair. An hour later, she learns her younger brother and father have killed a young German out of retaliation for the death of Ivy's older brother Billy in the Great War. Horrified, she leaves home, to discover the flu has caused utter panic and the rules governing society have broken down. Ivy is drawn into this new world of jazz, passion, and freedom, where people live for the day, because they could be stricken by nightfall. But as her 'uninvited guests' begin to appear to her more often, she knows her life will be torn apart once more, but Ivy has no inkling of the other-worldly revelations about to unfold.
The debut short novels--nearly thirty years out of print-- by the internationally acclaimed writer, newly retranslated and in one English-language volume for the first time, with a new introduction by the author. These first major works of fiction by Haruki Murakami center on two young men--an unnamed narrator and his friend and former roommate, the Rat. Powerful, at times surreal, stories of loneliness, obsession, and eroticism, these novellas bear all the hallmarks of Murakami's later books, giving us a fascinating insight into a great writer's beginnings, and are remarkable works of fiction in their own right. Here too is an exclusive essay by Murakami in which he explores and explains his decision to become a writer. Prequels to the much-beloved classics A Wild Sheep Chase and Dance Dance Dance, these early works are essential reading for Murakami completists and contemporary fiction lovers alike.