This twelve-volume sequence, published in four “movements,” traces a colorful group of English acquaintances across a span of many years from 1914 to 1971. The slowly developing narrative centers around life's poignant encounters between friends and lovers who later drift apart and yet keep reencountering each other over numerous unfolding decades as they move through the vicissitudes of marriage, work, aging, and ultimately death.
When the body of a young woman is found buried along the banks of the Thames in 1933, Scotland Yard Assistant Commissioner Joe Sandilands juggles the case with an increasingly dangerous assignment protecting an American senator.
The U.S. Congress in 1929 passed legislation to fund travel for mothers of the fallen soldiers of World War I to visit their sons’ graves in France. They are strangers at the start, but their lives will become inextricably intertwined, altered in indelible ways. These very different Gold Star Mothers travel to the Meuse-Argonne American Cemetery to say final good-byes to their sons and come together along the way to face the unexpected: a death, a scandal, and a secret revealed.
Brilliantly evoking the long-vanished world of masters and servants portrayed in Downton Abbey and Upstairs, Downstairs, Margaret Powell’s classic memoir of her time in service, Below Stairs, is the remarkable true story of an indomitable woman who, though she served in the great houses of England, never stopped aiming high. Powell first arrived at the servants' entrance of one of those great houses in the 1920s. As a kitchen maid – the lowest of the low – she entered an entirely new world; one of stoves to be blacked, vegetables to be scrubbed, mistresses to be appeased, and bootlaces to be ironed. Work started at 5.30am and went on until after dark. It was a far cry from her childhood on the beaches of Hove, where money and food were scarce, but warmth and laughter never were. Margaret’s tales of her time in service are told with wit, warmth, and a sharp eye for the prejudices of her situation.
This novel spans three generations and the unimaginable gulf between the First World War and the present. As the young Englishman Stephen Wraysford passes through a tempestuous love affair with Isabelle Azaire in France and enters the dark, surreal world beneath the trenches of No Man's Land, Sebastian Faulks creates a world of fiction that is tragic and sensuous.
During World War I, seventeen-year-old Frieda Mintz secures a job at a Boston department store and strikes out on her own, escaping her repressive Jewish mother and marriage to a wealthy widower twice her age. Determined to find love on her own terms, she is intoxicated by her newfound freedom and the patriotic fervor of the day. That is, until a soldier reports her as his last sexual contact, sweeping her up in the government’s wartime crusade against venereal disease. Quarantined in a detention center, Frieda finds in the Home’s confines a group of brash, unforgettable women who help her see the way to a new kind of independence.
A thirteen-year-old Welsh boy enters a man’s world in the mining pits.… An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House.… A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy.… And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families.
As the Season of 1899 comes to an end, the world is poised on the brink of profound, irrevocable change. The Earl of Dilberne is facing serious financial concerns. The ripple effects spread to everyone in the household: Lord Robert, who has gambled unwisely on the stock market and seeks a place in the Cabinet; his unmarried children, Arthur, who keeps a courtesan, and Rosina, who keeps a parrot in her bedroom; Lord Robert's wife Isobel, who orders the affairs of the household in Belgrave Square; and Grace, the lady's maid who orders the life of her mistress. Lord Robert can see no financial relief to an already mortgaged estate, and, though the Season is over, his thoughts turn to securing a suitable wife (and dowry) for his son. The arrival on the London scene of Minnie, a beautiful Chicago heiress with a reputation to mend, seems the answer to all their prayers. This is the first book in the “Love and Inheritance” trilogy.
The story behind Highclere Castle, the real-life inspiration and setting for Downton Abbey, and the life of one of its most famous inhabitants, Lady Almina, the 5th Countess of Carnarvon. Drawing on a rich store of materials from the Castle archives, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war. Much like her Downton Abbey counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home. Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.
The story of Catherine Wendell, the beautiful and spirited American woman who married Lady Almina’s son, the man who would become the 6th Earl of Carnarvon. The couple presided over Highclere Castle, the grand estate that serves as the setting for the hit PBS show. Following the First World War, many of the great houses of England faded as their owners fortunes declined in the new political and social world of the 1920s and 1930s. As war loomed, Highclere’s survival as the family home of the Carnarvons was again in the balance—as was peace between the nations of Europe.
It is the spring of 1914 and a group of young students have gathered in an art studio for a life-drawing class. Paul Tarrant and Elinor Brooke are two parts of an intriguing love triangle and, in the first days of war, they turn to each other. As spring turns to summer, Paul volunteers for the Belgian Red Cross and tends to wounded, dying soldiers from the front line. By the time he returns, Paul must confront the fact that life and love will never be the same for him again.
The servants at Longbourn estate, only glancingly mentioned in Jane Austen's classic, take center stage. Here are the Bennets seen through the eyes of those scrubbing the floors, cooking the meals, emptying the chamber pots. Our heroine is Sarah, an orphaned housemaid beginning to chafe against the boundaries of her class. When the militia marches into town, a new footman arrives under mysterious circumstances, and Sarah finds herself the object of the attentions of an ambitious young former slave working at neighboring Netherfield Hall, the carefully choreographed world downstairs at Longbourn threatens to be completely, perhaps irrevocably, up-ended.
Maisie Dobbs isn’t just any young housemaid. Through her own natural intelligence—and the patronage of her benevolent employers—she works her way into college at Cambridge. When World War I breaks out, Maisie goes to the front as a nurse. It is there that she learns that coincidences are meaningful and the truth elusive. After the War, Maisie sets up on her own as a private investigator. But her very first assignment, seemingly an ordinary infidelity case, soon reveals a much deeper, darker web of secrets, which will force Maisie to revisit the horrors of the Great War and the love she left behind. This is the first title in the series.
London, 1940. Winston Churchill has just been sworn in, war rages across the Channel, and the threat of a Blitz looms larger by the day. But none of this deters Maggie Hope. She graduated at the top of her college class and possesses all the skills of the finest minds in British intelligence, but her gender qualifies her only to be the newest typist at No. 10 Downing Street. Her indefatigable spirit and remarkable gifts for codebreaking, though, rival those of even the highest men in government. In troubled, deadly times, with air-raid sirens sending multitudes underground, access to the War Rooms also exposes Maggie to the machinations of a menacing faction determined to do whatever it takes to change the course of history. Ensnared in a web of spies, murder, and intrigue, Maggie must work quickly to balance her duty to King and Country with her chances for survival. And when she unravels a mystery that points toward her own family’s hidden secrets, she’ll discover that her quick wits are all that stand between an assassin’s murderous plan and Churchill himself.
First published as four separate novels (Some Do Not . . ., No More Parades, A Man Could Stand Up—, and The Last Post) between 1924 and 1928, Parade’s End explores the world of the English ruling class as it descends into the chaos of war. Christopher Tietjens is an officer from a wealthy family who finds himself torn between his unfaithful socialite wife, Sylvia, and his suffragette mistress, Valentine. A profound portrait of one man’s internal struggles during a time of brutal world conflict.
When eighteen-year-old Grace Campbell arrives in London in 1914, she's unable to fulfill her family's ambitions and find a position as an office secretary. Lying to her parents and her brother, Michael, she takes a job as a housemaid at Number 35, Park Lane, where she is quickly caught up in lives of its inhabitants-- in particular, those of its privileged son, Edward, and daughter, Beatrice, who is recovering from a failed relationship that would have taken her away from an increasingly stifling life. Desperate to find a new purpose, Bea joins a group of radical suffragettes and strikes up an intriguing romance with an impassioned young lawyer. Unbeknownst to each of the young women, the choices they make amid the rapidly changing world of WWI will connect their chances at future happiness in dramatic and inevitable ways.
In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" and sending him back to the trenches. This novel tells what happened as only a novel can. It is a war saga in which not a shot is fired. It is a story of a battle for a man's mind in which only the reader can decide who is the victor, who the vanquished, and who the victim. This is the first book in a trilogy, which also includes The Eye in the Door and The Ghost Road.
Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents' stately home as a paying guest, Edith meets Charles, the Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around. When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?
Rowena and Victoria, daughters to the second son of the Earl of Summerset, have always treated their governess's daughter, Prudence, like a sister. But when their father dies and they move in with their uncle's family in a much more traditional household, Prudence is relegated to the maids' quarters, much to the girls' shock and dismay. The impending war offers each girl hope for a more modern future, but the ever-present specter of class expectations makes it difficult for Prudence to maintain a foot in both worlds.
Traveling abroad with her mother at the turn of the twentieth century to seek a titled husband, beautiful, vivacious Cora Cash, whose family mansion in Newport dwarfs the Vanderbilts', suddenly finds herself Duchess of Wareham, married to Ivo, the most eligible bachelor in England. Nothing is quite as it seems, however: Ivo is withdrawn and secretive, and the English social scene is full of traps and betrayals. Money, Cora soon learns, cannot buy everything, as she must decide what is truly worth the price in her life and her marriage.
Set in the 1870s, the same period as Wharton's The Age of Innocence, The Buccaneers is about five wealthy American girls denied entry into New York Society because their parents' money is too new. At the suggestion of their clever governess, the girls sail to London, where they marry lords, earls, and dukes who find their beauty charming-and their wealth extremely useful.
When Olive Wellwood's oldest son discovers a runaway named Philip sketching in the basement of the new Victoria and Albert Museum--a talented working-class boy who could be a character out of one of Olive's magical tales--she takes him into the storybook world of her family and friends--a world that conceals more treachery and darkness than Philip has ever imagined and that will soon be eclipsed by far greater forces.
A spirited woman survives the sinking of the Titanic only to find herself embroiled in the tumultuous aftermath of that great tragedy. Tess is one of the last people to escape into a lifeboat. When an enterprising reporter turns her employer, Lady Duff Gordon, into an object of scorn, Tess is torn between loyalty and the truth.
This monumental trilogy by the Nobel Prize-winning author chronicles the lives of three generations of an upper-middle-class London family obsessed with money and respectability.
It's 1912, and seventeen-year-old Prince Edward is heir to the greatest throne in the world. Now he must choose between Lily, a girl who is not royal, and the princess his father has chosen for him to marry.
Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline. In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they--and Grace--know the truth. In 1999, when Grace is ninety-eight years old, she is visited by a young director who is making a film about the events of that summer. She takes Grace back to Riverton House and reawakens her memories.
It's the spring of 1938 and no longer safe to be a Jew in Vienna. Nineteen-year-old Elise Landau realizes her only means of escape is to advertise her services as a domestic servant in England. Fate brings her ad to the attention of Christopher Rivers, handsome scion of the aristocratic Rivers family and master of Tyneford. An anxious Elise arrives at Tyneford and immediately falls under its spell. When Christopher's young son, Kit, returns home, the two strike up an unlikely friendship that will change Tyneford--and Elise—forever.
The guns of August are rumbling throughout Europe in the summer of 1914, but war has not yet touched Abingdon Pryory. Here, at the grand home of the Greville family, the parties, dances, and romances play on. Alexandra Greville embarks on her debutante season while brother Charles remains hopelessly in love with the beautiful, untitled Lydia Foxe, knowing that his father, the Earl of Stanmore, will never approve of the match. Downstairs the new servant, Ivy, struggles to adjust to the routines of the well-oiled household staff, as the arrival of American cousin Martin Rilke, a Chicago newspaperman, causes a stir.
The chronicle of a glorious English summer a century ago, when the world was on the cusp of irrevocable change. Through the tight lens of four months, Juliet Nicolson’s rich storytelling gifts rivet us with the sights, colors, and feelings of a bygone era. That summer of 1911 a new king was crowned and the aristocracy was at play, bounding from one house party to the next. But perfection was not for all. Cracks in the social fabric were showing. The country was brought to a standstill by industrial strikes. Temperatures rose steadily to more than 100 degrees; by August deaths from heatstroke were too many for newspapers to report. Drawing on material from intimate and rarely seen sources and narrated through the eyes of a series of exceptional individuals--among them a debutante, a choirboy, a politician, a trade unionist, a butler, and the queen--The Perfect Summer is a vividly rendered glimpse of the twilight of the Edwardian era.
A profoundly compelling portrait of the perfect English butler and of his fading, insular world postwar England. At the end of his three decades of service at Darlington Hall, Stevens embarks on a country drive, during which he looks back over his career to reassure himself that he has served humanity by serving “a great gentleman.” But lurking in his memory are doubts about the true nature of Lord Darlington’s “greatness” and graver doubts about his own faith in the man he served.
In the summer of 1913, George Sawle brings his Cambridge schoolmate—a handsome, aristocratic young poet named Cecil Valance—to his family’s home outside London. George is enthralled by Cecil, and soon his sister, Daphne, is equally besotted by him. That weekend, Cecil writes a poem that, after he is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried—until, decades later, an ambitious biographer threatens to unearth them.
London, 1920. The city prepares to observe the two-year anniversary of Armistice Day with the burial of the unknown soldier. Hettie, a dance instructress, lives at home with her mother and her brother, who is mute after his return from combat. Evelyn works at the Pensions Exchange, through which thousands of men have claimed benefits from wounds or debilitating distress. Ada is beset by visions of her son on every street, convinced he is still alive. The lives of these three women are braided together, their stories gathering tremendous power as the ties that bind them become clear, and the body of the unknown soldier moves closer and closer to its final resting place.
Samantha’s marriage has been complicated by love and compromised by a shattering family betrayal. Claire, an empty nester and struggling author, is wondering if clinging to old dreams can be more destructive than not having any dreams at all. And after countless battles with her faithless ex-husband, Brooke is coming to terms with the fact that her life is not the fairy tale she thought it would be. But when Edward, the concierge of their historic Atlanta apartment building, invites them for weekly screenings of an addictive television show, the four of them embark on a season of surprises as they forge a bond that will sustain them through life’s hardest moments—all of it reflected in the unfolding drama, comedy, and convergent lives of Downton Abbey.